n this chapter, foster explains how quests are continually about self-expertise. he suggests how, even small tasks, can result in the growing of that understanding. he’s taking the reader thru a tale and explains how every detail applies to a quest, and how the ones identical factors may be implemented to many other testimonies now not traditional seen as a quest. he focuses on the crying lot o Greak, Cuban Hindu heritage f 49 as it gives him the capacity to expose how those key elements can apply. he also finishes the bankruptcy via describing how guidelines of literature are continually damaged and instances are “in no way” or “usually” proper. 2 – best to consume with you / communion foster explains the importance of consuming and the communion  Greak, Cuban Hindu heritage of eating on this chapter. he writes about how communion isn’t always simplest for non secular purposes, but is a experience of coming together. he speaks of scenes of eating, and the way they every maintain which means aside from eating. eating is a manner to hide taboos and how many human natures are ritualistic and a manner of coming together. foster talks approximately the consuming in “cathedral” and how the intimacy of the act can alternate someone. 3 – fine to eat with you / vampires foster talks about how “vampires” aren’t the scariest component to happen in literature, rather they constitute the matters even scarier  Greak, Cuban Hindu heritage approximately human nature. foster writes approximately dracula and how it represents selfishness, exploitation, and a refusal to appreciate the autonomy of other humans. vampirism is never about vampires however clearly the evil truths of people- and this Greak, Cuban Hindu heritage often appears inside of maximum tales of nonhuman forms. this is shown inside the strange case of dr. jekyll and mr. hyde and in a christmas carol. those testimonies had been meant to represent diverse factors of our truth. also, victorian writers were able to use those characters as a way to write down approximately sexuality with symbols and the way the destruction of human beings is based on societies– nearly recognition– of placing the goals of oneself about any other. four – now, in which have i seen her before? on this bankruptcy, foster writes about how no paintings of literature is thoroughly original or utterly its one. but, all works play on different memories and inte Greak, Cuban Hindu heritage grated factors of past writings to make the story whole. this is as it allows for authors to set up greater of the story with out saying as plenty. foster explains that all stories intersect in some way. information those patterns and this histories within new stories frequent Greak, Cuban Hindu heritage ly makes the narrative more gratifying to examine. he talks about the radical smart children and how it makes use of parallels from shakespeare, and through seeing this connectio>