- Search the Internet or whatever database you have access to for information that will make you smarter about your security contexts. Your goal is to locate FIVE INDEPENDENT CREDIBLE sources of useful information. Information must be contained in a report, paper, research article, documentary, educational program, etc. One source must help you become smarter about the THREAT. Another about VULNERABILITIES. Another about COUNTERMEASURES relevant to your security context. The remaining two resources can make you smarter about any other aspect of your risk problem.
- For each item of information that you find:
a. What is it?
b. Where and how did you find it?
c. What did you learn?
d. What aspect of your problem does it pertain to?
e. Why is it deemed credible?
f. What alternative views must you consider?
g. What questions remain? (i.e., what else do you need to learn)
Sample Solution
ts had become incresingly dissapointed by the straightforward popular music of the time, and musically opposed the thoughts related with awesome music. Accordingly, lyricism turned out to be substantially more otherworldly and had a dream feel to them, remnisicent of the hallucinogenic music of the late 60’s (Prog Archives, n.d.). This can honey bee seen on the early work of King Crimson, especially, “In The Court of the Crimson King”, what lyrics’ identity is’ soaked in a sentiment of sullen pretentiousness. Melodies like “Epitah” arrive at their peak near the brief imprint, with a rehashed verse of “I feel tomorrow I will be crying” trailed by an enormous guitar solo. This means another distinction to the awesome before the prog development â The plans are long with numerous parts, and there is a heavier accentuation on arrangement; on account of King Crimson this is fundamentally because of “[Ian Macdonald’s] unbelievable information to a limited extent composing in light of his [time spent] in the military working in a military band. (Tune to Soul, 2011) “The Court of the Crimson King” includes an orchestra of “strings” all through, and characterized one of the subgenres of prog â Symphonic Prog. The possibility that there is a genuine orchestra orcherstra on this collection, nonetheless, is a dream, made by one of the enormous specialized insurgencies of the time â The Mellotron. The Mellotron was one of the main samplers â with a comparative appearance to a console, when a key was squeezed tape with recorded sound was played, until the key is discharged, which is the point at which the tape is pulled back to the beginning position. This permitted Ian Mcdonald and Robert Fripp, establishing individuals from King Crimson, to investigate diverse instrumentation. (Ian McDonald Conversations on Mellotrons, 2001) Truly: Furthering Technical Profficiciency and the Backlash to “Complex Music” >
ts had become incresingly dissapointed by the straightforward popular music of the time, and musically opposed the thoughts related with awesome music. Accordingly, lyricism turned out to be substantially more otherworldly and had a dream feel to them, remnisicent of the hallucinogenic music of the late 60’s (Prog Archives, n.d.). This can honey bee seen on the early work of King Crimson, especially, “In The Court of the Crimson King”, what lyrics’ identity is’ soaked in a sentiment of sullen pretentiousness. Melodies like “Epitah” arrive at their peak near the brief imprint, with a rehashed verse of “I feel tomorrow I will be crying” trailed by an enormous guitar solo. This means another distinction to the awesome before the prog development â The plans are long with numerous parts, and there is a heavier accentuation on arrangement; on account of King Crimson this is fundamentally because of “[Ian Macdonald’s] unbelievable information to a limited extent composing in light of his [time spent] in the military working in a military band. (Tune to Soul, 2011) “The Court of the Crimson King” includes an orchestra of “strings” all through, and characterized one of the subgenres of prog â Symphonic Prog. The possibility that there is a genuine orchestra orcherstra on this collection, nonetheless, is a dream, made by one of the enormous specialized insurgencies of the time â The Mellotron. The Mellotron was one of the main samplers â with a comparative appearance to a console, when a key was squeezed tape with recorded sound was played, until the key is discharged, which is the point at which the tape is pulled back to the beginning position. This permitted Ian Mcdonald and Robert Fripp, establishing individuals from King Crimson, to investigate diverse instrumentation. (Ian McDonald Conversations on Mellotrons, 2001) Truly: Furthering Technical Profficiciency and the Backlash to “Complex Music” >
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