A summary of the theories you plan to use, and an explanation of why you think they are the best theories to use (as opposed to others), why these are the theories that will help you achieve what you have set out to achieve. So, to rewrite this section, you must make list of feminist film theorist whose work you intend to use, you must list which books of theirs or which aspects of their theories you intent to rely on, and why (i.e. to achieve what?)
– Alison Butler’s Women’s Cinema: the Contested Screen
– the sections on (a) feminist film theory and on (b) melodrama in Mieke Bernink and Pam Cook’s The Cinema Book.
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