Training is the process whereby people acquire capabilities to perform jobs. The view of training has changed over time. Today, training is viewed as necessary for long-term strategic goals.
To be a strategic investment, training must produce positive results. Today, it is common to have workers from several generations in the workforce. The most common groups are the baby boomers, generation X, and millennials. There are differences and similarities among all the groups to conduct training.
As the HR manager, what would you do?
Tasks
- Describe the rewards and challenges of training a workforce composed of workers from different generations.
- Analyze from your current or previous employment about the type of training that was utilized to promote the different generations.
- Explain how HR professionals can assist line managers with the various training options to train workers from different generations.
- Analyze what HR programs should be customized to meet the diverse needs of workers from each generation.
Evaluate the various delivery training programs using the Internet and take a position of one you would use or create.
Sample Solution
While plot is obviously deeply connected to the settings of the novel, this only becomes important within Lolita at the point at which the writer creates a situation in which the lack of spatial description gives insight to Humbertâs inner dialogue. For example, once Lolita has left Humbert ânight had eliminated most of the landscapeâ and the landscape slips out of his sight. Manolescu-Oancea states, however, that âvisions of the mountains that surround Humbert are conflated with delirious visions of multiple Lolitas â an effect which is typical of the pathetic fallacyâ. This becomes the most important when aestheticism enriches the âhazyâ America and âit gradually dissolves, just like Humbertâs hallucinatory Lolitas (whose model will soon leave him)â: it shows Humbert to project his own feelings onto the setting in order to romanticise the depraved actions which he undertakes. This illustrates the power that sexualized place names have on Humbert, that they have such an impact on him; that he would choose one, Briceland, over others on the basis of its erotic setting. However, the impact of the narrative being told from hisââunreliableââ perspective is that much of the eroticization is actually the product of his creativity. This complicates any reading of Lolita insofar as Humbertâs admission that he has re-named everyone and every place in the novel in order to protect the identities of those involved, seen when he proclaims âI have camouflaged everything, my loveâ, creates ambiguity over the extent of the settingsâ role. Under this metric, either Humbert is projecting sexual significance onto places during the subsequent writing of his memoir, or he names places sexually in order to reflect their role in the narrative. Brand is correct to assert that in âseparating names from their referents, Humbert attaches his own imaginative referents to themâ, but perhaps she underestimates the extent to which this should be regarded as a creative act. To these ends, Humbert Humbertâs sexualised puns on place names represents the imposition of sex onto setting; it is an aesthetic renaming, separate from the plot of the novel. Nabokov uses sexualised setting in>
While plot is obviously deeply connected to the settings of the novel, this only becomes important within Lolita at the point at which the writer creates a situation in which the lack of spatial description gives insight to Humbertâs inner dialogue. For example, once Lolita has left Humbert ânight had eliminated most of the landscapeâ and the landscape slips out of his sight. Manolescu-Oancea states, however, that âvisions of the mountains that surround Humbert are conflated with delirious visions of multiple Lolitas â an effect which is typical of the pathetic fallacyâ. This becomes the most important when aestheticism enriches the âhazyâ America and âit gradually dissolves, just like Humbertâs hallucinatory Lolitas (whose model will soon leave him)â: it shows Humbert to project his own feelings onto the setting in order to romanticise the depraved actions which he undertakes. This illustrates the power that sexualized place names have on Humbert, that they have such an impact on him; that he would choose one, Briceland, over others on the basis of its erotic setting. However, the impact of the narrative being told from hisââunreliableââ perspective is that much of the eroticization is actually the product of his creativity. This complicates any reading of Lolita insofar as Humbertâs admission that he has re-named everyone and every place in the novel in order to protect the identities of those involved, seen when he proclaims âI have camouflaged everything, my loveâ, creates ambiguity over the extent of the settingsâ role. Under this metric, either Humbert is projecting sexual significance onto places during the subsequent writing of his memoir, or he names places sexually in order to reflect their role in the narrative. Brand is correct to assert that in âseparating names from their referents, Humbert attaches his own imaginative referents to themâ, but perhaps she underestimates the extent to which this should be regarded as a creative act. To these ends, Humbert Humbertâs sexualised puns on place names represents the imposition of sex onto setting; it is an aesthetic renaming, separate from the plot of the novel. Nabokov uses sexualised setting in>
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