Waking from her surgery, Jeanne felt the dreary prospect of recovery weighing on her 12-year-old mind. Being constrained to her bed for 10 weeks was not a pleasant thought when her friends could run, jump, and play outside. Worst of all, she could not do her favorite activityâriding her horse Pepper. Her mom suggested she try designing some fun graphics and sell them on t-shirts. The challenge of this enterprise might distract her from the tedium of recovery. It could give her purpose ⦠give her power ⦠give her extra money for when she recovered.
Over the next two weeks Jeanne designed 11 different graphics using a copy of Adobe Illustrator her dad bought and installed for her. Some of these designs were of horseback riding. Some were of dogs. Others were of babies. She uploaded these 11 designs to CafePress.com. On CafePress.com she could create a storefront to sell the designs on t-shirts using CafePressâs built-in e-commerce platform. CafePress took the digital designs and printed them on the t-shirts as new orders came in. CafePress also took care of shipping the printed t-shirts to customers.
Jeanne e-mailed a link to this storefront to her friends. Her mom posted a link on Facebook. Her dad sent tweets to his Twitter followers. Her simple yet cute designs were a hit. In the first week she sold 38 t-shirts. By the end of the month, she had earned $561. By the time her recovery was over, she had grossed over $1,200. With her recovery complete, she bought a new saddle for her horse from her earnings and returned to her passion of riding.
Questions:
- How did CafePress make it possible for a 12-year-old to start an e-commerce business?
- Why was entrepreneurship difficult prior to Internet technologies?
- How did Jeanneâs problem-solving and communication help her succeed?
Sample Solution
Arousing quality, Sexuality, and Fertility in Kubla Khan In the hot, sexual and ripeness “Kubla Khan” of “Kubla Khan” Coleridge envisions firmly related land, with sex, sex, fruitfulness all over. The danger to the richness of the land is outside its fantastic divider. Coleridge utilized this extraordinary sex to make a picture of a stronghold to consider her contemplations and suctioned for similar profitability as his lovely creative mind. By setting up this relationship Coleridge found the wellspring of motivation and obscured the limit between the writer and the section. SAMUEL TAYLOR COLERIDGE KUBLA KHAN made Kubla Khan gravely cheerful arch at Xubadu. So there are two miles and five miles of fruitful land encompassed by dividers and pinnacles: There is a brilliant stream in the nursery, fragrant trees with numerous blossoms, there are antiquated slopes and shade of trees. However, ah! How about we dispense with the sentimental divergence over the green slope covering the front of the cedar tree. A savage spot! As it is holy and weird, the moon under the moon is irritated by a lady hanging tight for a fallen angel’s sweetheart! A 5-mile hallowed waterway runs yelling the woodland and valley, at that point arrives at a human vulnerable cavern and sinks into the dead ocean in the buzzing about. The voice of an inaccessible progenitor anticipated the war! Shadow of a cheerful arch The brilliant realm and the environmental factors of the old Kubreai Khan are drawn like a paradise and a fantasy. The realm made by Kubra Khan is portrayed as “a serious glad vault.” “arch” is an image of finish, respectability, and solidarity. This vault is serious or systematic. The picture of the arch resembles a side of the equator or a sky world. By communicating the vault as a “cheerful arch”, the writer speaks to the realm of Khan as heaven of paradise. This heaven realm is comprised of ten miles of ‘prolific land’ encompassed by ‘encompassing’ dividers. The nursery is splendid, “A great deal of incense trees are sprouting” and the water is flooding in a streaming stream.>
Arousing quality, Sexuality, and Fertility in Kubla Khan In the hot, sexual and ripeness “Kubla Khan” of “Kubla Khan” Coleridge envisions firmly related land, with sex, sex, fruitfulness all over. The danger to the richness of the land is outside its fantastic divider. Coleridge utilized this extraordinary sex to make a picture of a stronghold to consider her contemplations and suctioned for similar profitability as his lovely creative mind. By setting up this relationship Coleridge found the wellspring of motivation and obscured the limit between the writer and the section. SAMUEL TAYLOR COLERIDGE KUBLA KHAN made Kubla Khan gravely cheerful arch at Xubadu. So there are two miles and five miles of fruitful land encompassed by dividers and pinnacles: There is a brilliant stream in the nursery, fragrant trees with numerous blossoms, there are antiquated slopes and shade of trees. However, ah! How about we dispense with the sentimental divergence over the green slope covering the front of the cedar tree. A savage spot! As it is holy and weird, the moon under the moon is irritated by a lady hanging tight for a fallen angel’s sweetheart! A 5-mile hallowed waterway runs yelling the woodland and valley, at that point arrives at a human vulnerable cavern and sinks into the dead ocean in the buzzing about. The voice of an inaccessible progenitor anticipated the war! Shadow of a cheerful arch The brilliant realm and the environmental factors of the old Kubreai Khan are drawn like a paradise and a fantasy. The realm made by Kubra Khan is portrayed as “a serious glad vault.” “arch” is an image of finish, respectability, and solidarity. This vault is serious or systematic. The picture of the arch resembles a side of the equator or a sky world. By communicating the vault as a “cheerful arch”, the writer speaks to the realm of Khan as heaven of paradise. This heaven realm is comprised of ten miles of ‘prolific land’ encompassed by ‘encompassing’ dividers. The nursery is splendid, “A great deal of incense trees are sprouting” and the water is flooding in a streaming stream.>
