We can work on Sculpture OR Monuments

Respond to ONE of the following discussion prompts:

  1. Why do you think Michelangelo chose to sculpt his Moses (2.4.8) from marble, or Marcel Duchamp decided to appropriate a urinal (3.10.1) in order to declare it a work of art? Look carefully at the materials used by the artists and their unique qualities—the durability of stone, the shininess of the ceramic glaze—and try to see what associations the artist may have had in mind when they chose the material or process. Would Michelangelo’s work be as effective were it made from clay? How would that change the work?
    OR
  2. Sculptural monuments were important forms of public relations, as well as a source of civic pride. Giambologna’s Rape of a Sabine was intended to communicate the growing power and influence of Florence in a dynamic and beautiful way. Can you think of other circumstances where a sculpture has been used to support the power of community or a community leader? Do you know of any contemporary sculptures or memorials that serve a similar purpose to Bologna’s work?

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