Identify and discuss one psychosocial issue in a school setting, which could create a barrier to learning (e.g., bullying, substance abuse, homelessness, poverty, ADHD, conduct issues, spectrum disorders, poor health, domestic violence and abuse in the home, a parent or parents with addiction, etc.). In your discussion, address whether the school social worker, the school counselor, or the school psychologist would be the best professional to address this issue, or whether the services of all three would be required, and why. What external services might be recommended or even enforced? Your initial response should be at least 350 words in length.
Sample Solution
One of the major features of the graphic novel is homosexuality and gender identity. To begin with, page 98 includes various quotes that add very nicely to the idea of main characters who foil each other. Bechdel actually points out the differences between her and her father by saying, âNot only were we inverts. We were inversions of one anotherâ (Bechdel 98). Through the twoâs discussions this point stands as very true. In these panels, the two seem to be getting ready together for fairly elegant events. In the first panel it is a wedding the family is preparing for and Alison is requesting that her father allow her to wear sneakers to the event. He always knowing what to wear and dressing to the tees, declines this notion. This is when Bechdel mentions that through her, her father âwas attempting to express something feminineâ (Bechdel 98). This is a slip through of his homosexual emotions. Him being a more feminine gay, is allowing this to be seen through his attention to detail in his daughterâs apparel. This also slightly slips through into his own apparel due to his velvet suit he has prepared to wear to the wedding. The father showing his feminine side through his daughter contradicts with her masculinity that she is attempting to break through with. Bechdel mentions, âI was trying to compensate for something unmanly in himâ (Bechdel 98). Meaning, the masculinity he lacked, she was going to make up for. The illustrations provided in these panels further demonstrate the inversions between the two characters. Alison is wearing a dress that she refers to as the least girly in the store. It resembles almost a sailorâs uniform with the bow around the neck. While she is avoiding femininity, her father is pictured wearing a full velvet suit embracing his femininity. Also, in her essay âAutographic Disclosures and Genealogies of Desire in Alison Bechdelâs Fun Home,â Julia Watson states that, âTwice, Bechdel uses near-life-sized drawings of a hand holding a sheaf of photographs to call readersâ attentions to look at her intimately personal acts of investigating her fatherâs hidden history and her own identification with it.â And the>
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One of the major features of the graphic novel is homosexuality and gender identity. To begin with, page 98 includes various quotes that add very nicely to the idea of main characters who foil each other. Bechdel actually points out the differences between her and her father by saying, âNot only were we inverts. We were inversions of one anotherâ (Bechdel 98). Through the twoâs discussions this point stands as very true. In these panels, the two seem to be getting ready together for fairly elegant events. In the first panel it is a wedding the family is preparing for and Alison is requesting that her father allow her to wear sneakers to the event. He always knowing what to wear and dressing to the tees, declines this notion. This is when Bechdel mentions that through her, her father âwas attempting to express something feminineâ (Bechdel 98). This is a slip through of his homosexual emotions. Him being a more feminine gay, is allowing this to be seen through his attention to detail in his daughterâs apparel. This also slightly slips through into his own apparel due to his velvet suit he has prepared to wear to the wedding. The father showing his feminine side through his daughter contradicts with her masculinity that she is attempting to break through with. Bechdel mentions, âI was trying to compensate for something unmanly in himâ (Bechdel 98). Meaning, the masculinity he lacked, she was going to make up for. The illustrations provided in these panels further demonstrate the inversions between the two characters. Alison is wearing a dress that she refers to as the least girly in the store. It resembles almost a sailorâs uniform with the bow around the neck. While she is avoiding femininity, her father is pictured wearing a full velvet suit embracing his femininity. Also, in her essay âAutographic Disclosures and Genealogies of Desire in Alison Bechdelâs Fun Home,â Julia Watson states that, âTwice, Bechdel uses near-life-sized drawings of a hand holding a sheaf of photographs to call readersâ attentions to look at her intimately personal acts of investigating her fatherâs hidden history and her own identification with it.â And the>
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