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Manchester United FC in terms of strategic fit and marketing effectiveness.
Manchester United FC in terms of strategic fit and marketing effectiveness.
You analyse and critically evaluate Manchester United FC in terms of strategic fit and marketing effectiveness. This report provides the opportunity for analysis and reflection on the marketing activities of a real sports entity. You will Manchester United FC as a frame of reference to complete this assignment. Identify sponsorship and/or promotional efforts – The next step is to identify a sponsorship and/or promotional effort for Manchester United FC. Research the sponsorship/promotional opportunities that Manchester United offers, the sponsors with which the organization has a relationship, as well as the campaigns they have been involved in. Analyse sponsorship and/or promotional efforts Describe and evaluate the sponsorship and/or promotional effort for Manchester United FC. Subheadings need to write about: ⢠Sponsorship/promotion Introduction (e.g. overview) ⢠Sponsorship/promotion Objectives (e.g. strategy, motives and benefits) ⢠Sponsorship/promotion Fit (e.g. congruence. natural links with the sport, sponsor and target segment) ⢠Sponsorship/promotion Impact (e.g. awareness, image, purchase behaviour, fan engagement) ⢠Sponsorship/promotion Risks (e.g. positive/negative experiences or associations, challenges, risks). Developing your report Carefully follow the report guidelines given below. Provide a thoughtful, insightful discussion on the effectiveness of the sponsorship and/or promotional effort. Be sure to make reference to relevant marketing concepts where appropriate Characters–The main characters in the play are Mrs. Hale and Mrs. Peters. Mrs. Peters is the wife of the sheriff, and Mrs. Hale is the wife of Mr. Hale, a neighbor to the Wrights, who never appear in the play, but whose personalities are described. Mrs. Hale and Mrs. Peters seem like typical country wives from the time period of the play. They are familiar with things in the kitchen and typical women’s activities of the period (such as making bread, putting up preserves, and quilting) and show through their dialogue and actions that they understand and generally sympathize with the life lived by Mrs. Wright, who has been accused of killing her husband. Though all of the action takes place in a household kitchen: the two women stay in the background whenever the male characters in the play (the sheriff, Mr. Hale, and the county attorney) are on stage; but when the men leave the stage, the women become free to speak to each other and speculate about the events in the play. While the men tend to be “all business’ in looking for clues as to actions and motivations at what is essentially a crime scene, Mrs. Hale and Mrs. Peters, who have been brought along by the men only to pick up a few personal items to take to Mrs. Wright in jail, are more interested in speculating about what Mrs. Wright’s life must have been like isolated in a lonely marriage with a hard, loveless man. SettingâHistorically and geographically, the action of the play is in a rural setting (apparently Nebraska or western Iowa, based on one character’s reference to Omaha): sometime in the early part of the 20th century, probably contemporary with the time period in which the play was written (1916). The Wrights’ house is still warmed by fire from a stove, and Hale’s motivation for seeing the Wrights is given as his desire to go in on a party-line telephone with them. Perhaps more significant is the physical setting, as all of the action in the play takes place in a dismal, dingy kitchen that seems to show a kind of hopelessness to Mrs. Wright’s situation. The kitchen setting is also a place where the women are clearly more aware of the importance of things than the men are, which accounts a great deal for the fact that they are able to figure out which clues are actually important and which ones are trivial. Symbolism–Several small aspects of symbolism serve to characterize the Wrights, even though they never appear in the play. Hale’s acknowledgement that Wright didn’t want a telephone shows how closed off Wright was to communication. This manner makes other people (especially women) avoid him, according to Mrs. Hale. The birdâand more specifically the broken door of its cageâsymbolizes Mrs. Wright. who Mrs. Hale tells us was ‘like a bird herself.” Birds long to fly and be free (or at least to sing), but Wright has broken Minnie down by keeping her caged in the lonely farmhouse. By Mrs. Hale’s account, Wright’s indifference to his wife’s needs has all but killed the happy young girl she was. The bird/cage symbolism seems to imply that with Wright’s death, Minnie may have broken out of her cage and have a chance for freedom, provided she doesn’t get pegged for his murder. Stage Direction/Notes–Staging is carefully used by the author in the opening of the play when the men march onto the scene and take center stage and the women hang back quietly. This indicates a physical distance between the two sexes that is matched by the different ways they understand the events that have happened in this farmhouse. The fact that the men dominate the dialogue whenever they are on stage shows the nature of male/female relationships at the time, with men holding all of the power and women forced to hang back in supporting roles that men see as trivial. Only when the men leave the stage do the women move to the center, showing how women appear to men primarily as sort of background trifles, not to be taken seriously. Whenever the men enter the scene, the women move again to the background. Glaspell also includes several directions to the female actresses to indicate that they see significance in the small details they discover in their time in the kitchen (bread left out of the bread box, crumbs on half the table while the other half has been cleaned), as well as details about the way the men act that show how dismissive they are of the idea that anything important can be found in the kitchen, the part of the house where women do the things they are expected to do. Theme–Understanding the theme of this play seems to rely on looking closely at the nature of the âraceâ between the menâs investigation and the womenâs investigation. The men, busy looking for external clues around the farm and generally dismissive of the idea that anything of importance might be found among the âtriflesâ that might concern women in a place like the kitchen, canât find anything specific to pin the murder on Mrs. Wright. The women, quietly discussing internal feelings and empathizing with Mrs. Wright due to their shared life experiences, come to a clear understanding of exactly what happened. By having them decide not to share what they figure out, Glaspell shows that a woman’s way of looking at thingsâwhile it might appear to focus on âtriflesâ (or trivial things) from a manâs perspectiveâcan not only be superior to a manâs, but it can also provide the more appropriate method for judging someoneâs actions.
Questions
1) Why donât the two ladies in the play call each other by their first names?
2) What is the difference between âquiltingâ and âknottingâ?
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