Think of a problem in your company, neighborhood, schools, or community, to which you would like to offer a solution. Develop a presentation in PowerPoint, that you might use to present your argument to the governing board of your chosen organization. Use what you know about persuasion, effective communication and message organization to sell your idea. In your PowerPoint, you will:
Create 8-10 slides that offer a presentation introduction, body and conclusion.
Focus your message on audience needs and motivations. Use reasoning, appeals to emotion and audience interests.
Cite at least three outside sources.
Include a coversheet slide, slide titles, bullets, charts (pie, bar, or line), clip art and creativity in terms of animation effects and word choice.
Use the NOTES feature to add the general text of what you will say in your presentation. Each slide will have two-three substantive paragraphs in its NOTES section. In most settings, you would do fine with using NOTES simply to place your keyword outline. However, since you will not be delivering this orally, more content is needed for your instructor to understand what it is that you intended to communicate.
Concentrate on formatting and the overall flow of your presentation. Be mindful of the rules of good visual design.
Sample Solution
The film Stagecoach coordinated by John Ford has a place with the Western classification. The chief places the principle characters in an existential circumstance in which every one of them uncovers their actual individual potential. In this film, the situations develop rather rapidly, which keeps the watcher in consistent anticipation. The reason for this paper is to survey this movie coordinated by John Ford. General Description and Plot The activity happens toward the finish of the nineteenth century. Buck plans for an outing to Lordsburg and gets news that the head of Apaches has raised a mob. Buck requests that Marshal Curly Wilcox go with him on this hard street and cautions his kindred voyagers that they may get injured in the event that they accompany him. Notwithstanding, they choose to travel out and out, and Lucy (the official’s pregnant spouse), Hatfield (a player), Boone (a specialist who experiences liquor addiction), Samuel (an alcohol vendor), and Dallas (who used to function as a whore) join the excursion (“Stagecoach”). Another voyager is Ringo whom Curley must place in jail. Their excursion is troublesome in light of the fact that the life of every saint is imperiled by the assault of Apaches; in any case, the manner in which each character carries on in an upsetting circumstance most unmistakably uncovers their personality. Characters The plot displays away from and female pictures of the characters. Some legends exemplify the mainstays of society and the for the most part acknowledged qualities, for example, Puritan ethical quality while different saints strip the indecencies intrinsic in the public eye, for example, liquor abuse, prostitution, theft, etc. By the by, every one of the characters changes, and their worth framework beats their social position. Specifically, Dallas shows high good standards in a troublesome circumstance while a criminal who must be detained turns into a contender for equity (“Stagecoach”). Boone experiencing liquor abuse satisfies his obligation to the fullest degree when it is vital. Simultaneously, the investor who feels better than different saints in light of his economic wellbeing ends up being a cheat (“Stagecoach”). It is vital to take note of that these differentiating types have been decided to speak to various social layers of society. The chief places them in the conditions in which they are joined to beat the perils and obstructions, in this manner, offsetting their status with personality. Settings The perspectives on differentiating conditions help to reinforce the impact of functions. Specifically, the film shows the enormity of the Monument Valley, which the watcher can appreciate, and afterward the view is supplanted with limited spaces. For example, the cantina, the spots where the fundamental characters stop, the carriage wherein they travel are appeared as thin and limited (“Stagecoach”). During such scenes, the watcher can encounter the claustrophobic environment, which improves the strain. This method additionally made it conceivable to underline the extremely occurrence in which the fundamental characters got themselves. Social Context Strangely, the film permits the watcher to fathom the manner in which the Wild West triumph was seen around then. The film depicts the indigenous populace as savages who are hesitant to acknowledge human progress and undermine the security of settlers. The Indians are appeared as a theoretical fiendish bringing savagery and decimation (“Stagecoach”). It permits expecting that the indigenous individuals were viewed as an obstruction between the East and the West of the nation. Critically, it took the populace a long time to comprehend that these individuals were securing themselves and battling for their social character. End Accordingly, it very well may be inferred that the film Stagecoach is one of the exemplary works of cinematography. It has an energizing plot, which both engages the crowd and holds them in anticipation. In any case, it likewise displays social definition and the conceivable belittling and generalizing associated with it. Also, the film has social incentive for the contemporary watcher since it clearly shows the manner in which the Indigenous populace has been seen around then.>
The film Stagecoach coordinated by John Ford has a place with the Western classification. The chief places the principle characters in an existential circumstance in which every one of them uncovers their actual individual potential. In this film, the situations develop rather rapidly, which keeps the watcher in consistent anticipation. The reason for this paper is to survey this movie coordinated by John Ford. General Description and Plot The activity happens toward the finish of the nineteenth century. Buck plans for an outing to Lordsburg and gets news that the head of Apaches has raised a mob. Buck requests that Marshal Curly Wilcox go with him on this hard street and cautions his kindred voyagers that they may get injured in the event that they accompany him. Notwithstanding, they choose to travel out and out, and Lucy (the official’s pregnant spouse), Hatfield (a player), Boone (a specialist who experiences liquor addiction), Samuel (an alcohol vendor), and Dallas (who used to function as a whore) join the excursion (“Stagecoach”). Another voyager is Ringo whom Curley must place in jail. Their excursion is troublesome in light of the fact that the life of every saint is imperiled by the assault of Apaches; in any case, the manner in which each character carries on in an upsetting circumstance most unmistakably uncovers their personality. Characters The plot displays away from and female pictures of the characters. Some legends exemplify the mainstays of society and the for the most part acknowledged qualities, for example, Puritan ethical quality while different saints strip the indecencies intrinsic in the public eye, for example, liquor abuse, prostitution, theft, etc. By the by, every one of the characters changes, and their worth framework beats their social position. Specifically, Dallas shows high good standards in a troublesome circumstance while a criminal who must be detained turns into a contender for equity (“Stagecoach”). Boone experiencing liquor abuse satisfies his obligation to the fullest degree when it is vital. Simultaneously, the investor who feels better than different saints in light of his economic wellbeing ends up being a cheat (“Stagecoach”). It is vital to take note of that these differentiating types have been decided to speak to various social layers of society. The chief places them in the conditions in which they are joined to beat the perils and obstructions, in this manner, offsetting their status with personality. Settings The perspectives on differentiating conditions help to reinforce the impact of functions. Specifically, the film shows the enormity of the Monument Valley, which the watcher can appreciate, and afterward the view is supplanted with limited spaces. For example, the cantina, the spots where the fundamental characters stop, the carriage wherein they travel are appeared as thin and limited (“Stagecoach”). During such scenes, the watcher can encounter the claustrophobic environment, which improves the strain. This method additionally made it conceivable to underline the extremely occurrence in which the fundamental characters got themselves. Social Context Strangely, the film permits the watcher to fathom the manner in which the Wild West triumph was seen around then. The film depicts the indigenous populace as savages who are hesitant to acknowledge human progress and undermine the security of settlers. The Indians are appeared as a theoretical fiendish bringing savagery and decimation (“Stagecoach”). It permits expecting that the indigenous individuals were viewed as an obstruction between the East and the West of the nation. Critically, it took the populace a long time to comprehend that these individuals were securing themselves and battling for their social character. End Accordingly, it very well may be inferred that the film Stagecoach is one of the exemplary works of cinematography. It has an energizing plot, which both engages the crowd and holds them in anticipation. In any case, it likewise displays social definition and the conceivable belittling and generalizing associated with it. Also, the film has social incentive for the contemporary watcher since it clearly shows the manner in which the Indigenous populace has been seen around then.>
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