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A small surgery center needs your help to create a database. The office manager has identified the following types of data (entities): patients, doctors, procedures and appointments using the following business rules: Patients can have many doctors and many doctors can see many patients. Patients can have many procedures and many procedures are done on patients. Doctors can have multiple appointments. (hint: these are many to many relationships, so associative tables need to be added) Please identify the attributes and primary keys needed for each of the entities. Identify the data types you would use for each of the attributes. Determine the relationships between the entities and find the one-to-many and many-to-many relationships. Use the ER matrix to determine the relationships. Create an ER diagram using Visio including the associative tables based on your analysis. Identify all foreign keys needed in the database design. Create the database and relationships in Access and populate the tables using the spreadsheets. To use the database as the main office application, what other entities and attributes might be needed? Upload completed Visio Conceptual Design. Upload completed Access database file A 3-5 page APA paper discussing the following topics: Discuss Database impact on the workplace, Discuss database benefits when businesses use querie, Forms, and reports. Discuss at least two security
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someoneâs entire morality. To expand on the topic of relationships in musical theatre we should consider the representation in On The Town (1944). One form of freedom women achieved in the 40s was the sense of sexual liberation giving a new dynamic to work with in relationships within musicals. In the number âCome Up to My Placeâ where the character Hildy uses suggestive lyrics, this shows a woman being outspoken about sex which wouldnât be typical for female characters before the 40s, (Wolf, 2011, n/a). When we look at this quote âThe only power women have (we are told) is the sexual power of their bodyâ, (Taylor and Symonds, 2014, p.140) it makes sense why sexual power is one of the first forms of power shown from female characters after 1943. However, it is dubious whether this was really a show of power or simply a way of reducing women to sexualised characters? It is most likely that this was in fact a form of progression, perhaps just in the only way they knew how to present women at the time. Finally, it may be concluded that 1943 was a turning point for musical theatre regarding the representation of women, the opportunities and the platform provided for women working within the industry. The second world war was a big factor in this as it kickstarted the way for women, being represented as working members of society and opening doors for women of colour. Musicals such as Oklahoma and Carousel, both combined with the revolutionary work of Agnes de Mille, imparted many new concepts which changed musical theatre from then onwards. The final reason for 1943 being a water>
someoneâs entire morality. To expand on the topic of relationships in musical theatre we should consider the representation in On The Town (1944). One form of freedom women achieved in the 40s was the sense of sexual liberation giving a new dynamic to work with in relationships within musicals. In the number âCome Up to My Placeâ where the character Hildy uses suggestive lyrics, this shows a woman being outspoken about sex which wouldnât be typical for female characters before the 40s, (Wolf, 2011, n/a). When we look at this quote âThe only power women have (we are told) is the sexual power of their bodyâ, (Taylor and Symonds, 2014, p.140) it makes sense why sexual power is one of the first forms of power shown from female characters after 1943. However, it is dubious whether this was really a show of power or simply a way of reducing women to sexualised characters? It is most likely that this was in fact a form of progression, perhaps just in the only way they knew how to present women at the time. Finally, it may be concluded that 1943 was a turning point for musical theatre regarding the representation of women, the opportunities and the platform provided for women working within the industry. The second world war was a big factor in this as it kickstarted the way for women, being represented as working members of society and opening doors for women of colour. Musicals such as Oklahoma and Carousel, both combined with the revolutionary work of Agnes de Mille, imparted many new concepts which changed musical theatre from then onwards. The final reason for 1943 being a water>
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