satirical form, through or in -festival comedy
-Based only upon 2 sources;
1.”The saturnalian Pattern in Shakespeare’s comedy” by C.L Barber — on the festival nature of comedy
2. John Morreall’s “No laughing matter”
-Upon both articles, how might festival comedy nevertheless be understood as an essential satirical form, also in terms of superiority theory? (and in what way/sentences-citation) what is the object of ridicule
– upon both articles, what are the power dynamics in the sense of superiority it conveys, conservative or emancipating?
– and where it the malice in its humor for example.\
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