as a hormone-crazed male in search of sex. This frame of thought is associated more with teens than with m Barriers and Conflict Resolutionen in their forties. The first two technical elements used to exemplify this scene are composition and camera movement. The scene begins with Lester and Carolyn already in the stands with the crowd. Angela, Jane, and the other cheerleaders enter the picture with right to left movement assisted by a panning camera shot of right to left. This foreshadows the unordinary actions that are about to occur. Almost immediately, into the dance routine, Angela is given an upward position in the frame elevated with dynamic composition. It is dynamic com Barriers and Conflict Resolution position because there is movement (Angela dancing) within a fixed frame. By giving Angela an upward position within the frame this suggest Lester is first noticing her. As the scene continues, and Angela has Lester’s full attention, Angela is shown moving towards the camera in another dynamic composition shot complemented by the camera zooming in on her. This gives the audience an idea as to the degree of attention that Lester is giving to Angela due to her sexuality. It also enhances her presence. The scene continues with a static composition shot of Lester. It is static composition because there is no movement within the frame. The camera then begins to zoom in on Lester. As the camera zooms, the crowd is eliminated and only Lester is shown in the frame. Furthermore, the camera focuses on Lester’s eyes and makes them appear bigger than they actually are. This makes Lester look like an animal drooling at the mouth over something he desires. At this point, the camera performs a point of view shot showing what Lester’s eyes are fixated on, and focuses on Angela. This, once again, displays the degree of enchantment that Angela has placed over Lester. Angela is also shown alone in the frame. This shows that in Lester’s mind, only Angela and himself ex Barriers and Conflict Resolution ist at this moment. Not even his daughter is of any relevance. The scene concludes with the camera then performing a shot-reverse-shot of Angela then Lester. This allows the audience to see Barriers and Conflict Resolution  that in Lester’s fantasy, Angela is dancing erotically just for him and is paying as much attention to him as he is paying to her. It is important to note that Angela and Lester are never shown in the same frame in this scene. This suggest that there is some barrier that is between them such as the fact that Lester is desiring a girl that is his daughter’s age. Lighting is another technical element that adds to the effectiveness of this scene.  Barriers and Conflict Resolution When the camera performs a point of view shot from Lester’s perspective to show the audience that he is fixated on Angela; Angela is shown by herself in the frame. As stated above, this is to show that Angela is the only object of Lester’s attention. Lighting adds to this effect. Lighting is used to focus the audience on Lester’s eyes and to show that he is being enchanted by what he sees. As Angela is shown alone in the frame, the background in the shot becomes completely black. There is a bright light shining on Angela. The source of the light is not clear, and is coming from above Angela. The lighting in the scene is high contrast and low key. It is high contrast because the difference between light and darkness is clear. It is low key lighting because Angela’s shadow can b Barriers and Conflict Resolutione seen behind her and shadows can be seen on the rest of Lester’s face, excluding his eyes.. The contributions that the lighting effect has in this scene are many. First of all, the light shin Barriers and Conflict Resolution ing solely on Angela adds to the audience understanding that Angela is the object of Lester’s attention. Secondly, light is usually affiliated with good and d>